Charles Lederer

Charles Lederer

Deceased · Born: Dec 31, 1906 · Died: Mar 5, 1976

Personal Details

Born Dec 31, 1906 New York City, New York, USA
Spouse
  • Anne Shirley

    ( Oct 19, 1949 to Mar 5, 1976 )
  • Virginia Nicolson

    ( May 16, 1940 to Feb 28, 1949 )
Parents
  • George Regas
  • Reine Davies
  • George W. Lederer
Relatives
  • Pepi Lederer (Sibling)
  • Marion Davies (Aunt or Uncle)
  • Rosemary Davies (Aunt or Uncle)
  • Patricia Lake (Cousin)

Biography

From Wikipedia, the free encyclopedia Charles Lederer (December 31, 1906 – March 5, 1976) was an American screenwriter and film director. He was born into a prominent theatrical family in New York, and after his parents divorced, was raised in California by his aunt, Marion Davies, mistress to newspaper publisher William Randolf Hearst. A child prodigy, he entered college at age 13, but dropped out after a few years to work as a journalist with Hearst's newspapers. Lederer is recognized for his comic and acerbic adaptations and collaborative screenplays of the 1940s and early 1950s. His screenplays frequently delved into the corrosive influences of wealth and power. His comedy writing was considered among the best of the period, and he, along with writer friends Ben Hecht and Herman Mankiewicz, became major contributors to the film genre known as "screwball comedy". Among his notable screenplays which he wrote or co-wrote, were The Front Page (1931), the critically acclaimed His Girl Friday (1940), Gentlemen Prefer Blondes (1953), The Spirit of St. Louis (1957), Ocean's 11 (1960), and Mutiny on the Bounty (1962). With Ben Hecht, he co-wrote the original Kiss of Death which was to feature the actor Richard Widmark's chilling debut as the psychopathic killer with a giggle. In addition, he wrote and directed the 1959 film Never Steal Anything Small, an adaptation of a play by Maxwell Anderson and Rouben Mamoulian, starring James Cagney. The Spirit of St. Louis was Lederer's last significant film work. The films that followed that were primarily vehicles for established stars. In 1954, he won three Tony Awards for the Broadway Musical Kismet, as Best Producer (Musical), as Best Author (Musical) with Luther Davis, and as co-author of the book which, with several collaborators, contributed to the Best Musical win.

Career

1964
A Global Affair
A Global Affair as Screenplay
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1962
Mutiny on the Bounty
Mutiny on the Bounty as Screenplay
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Follow That Dream
Follow That Dream as Screenplay
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1960
Can-Can
Can-Can as Screenplay
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Ocean's Eleven
Ocean's Eleven as Screenplay
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1959
It Started with a Kiss
It Started with a Kiss as Screenplay
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1958
The Fiend Who Walked the West
The Fiend Who Walked the West as Writer
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1957
Tip on a Dead Jockey
Tip on a Dead Jockey as Screenplay
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1956
Gaby
Gaby as Screenplay
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1955
Kismet
Kismet as Screenplay
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1953
Gentlemen Prefer Blondes
Gentlemen Prefer Blondes as Screenplay
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1952
Fearless Fagan
Fearless Fagan as Screenplay
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Monkey Business
Monkey Business as Screenplay
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1951
The Thing from Another World
The Thing from Another World as Screenplay
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1950
Wabash Avenue
Wabash Avenue as Story, Screenplay
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1949
Red, Hot and Blue
Red, Hot and Blue as Story
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I Was a Male War Bride
I Was a Male War Bride as Screenplay
Watch
1947
Her Husband's Affairs
Her Husband's Affairs as Writer
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Ride the Pink Horse
Ride the Pink Horse as Screenplay
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Kiss of Death
Kiss of Death as Screenplay
Watch
1943
Slightly Dangerous
Slightly Dangerous as Screenplay
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The Youngest Profession
The Youngest Profession as Screenplay
Watch
1941
Love Crazy
Love Crazy as Screenplay
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1940
I Love You Again
I Love You Again as Screenplay
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Comrade X
Comrade X as Screenplay
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His Girl Friday
His Girl Friday as Screenplay
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1939
Broadway Serenade
Broadway Serenade as Screenplay
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Within the Law
Within the Law as Screenplay
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1937
Double or Nothing
Double or Nothing as Screenplay
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1932
Cock of the Air
Cock of the Air as Writer
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1959
Never Steal Anything Small
Never Steal Anything Small as Director, Writer
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1951
On the Loose
On the Loose as Director
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1942
Fingers at the Window
Fingers at the Window as Director
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